Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
Like their Western counterparts, Japanese artists of that era alluded to the ideal of an interconnected, experimental, and ultimately, utopian world.
The Body You Want
A nuanced exploration of queer Asian identities through diverse artistic forms.
Bodily Control in Bang Geul Han’s “Land of Tenderness”
Weaving matters of immigration and the female body at The 8th Floor.
“Seeping, Rotting, Resting, Weeping”: Finding Respite in Candice Lin’s Cat-Demon World
A commentary on “the human” as a hegemonic category.
God is a Woman in Shahzia Sikander’s “Infinite Woman”
Ink and color morph into undecipherable life forms that belong to this femme ecosystem.
ArtAsiaPacific Issue 140 (Sep/Oct)
- Jinju Lee
- Tsai Ming-liang
- William Kentridge
- Steph Huang
- Isaac Chong Wai
- MusquiquiChihying
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Entang Wiharso’s “A Thousand Kilometers”
A dual-venue presentation of the Indonesia- and United States-based artist.
“More Life: Ching Ho Cheng”
A show with a contemplative tone and the deep concentration that the works elicit.
Young Joon Kwak’s “Spartan Ruin”
Grappling with the continued specter of racial and social injustice in the late summer of 2020.
Over the Influence & CAC Málaga present Mark Whalen’s “I Am Just Here”
Entirely new work made in his Los Angeles studio.
