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ArtAsiaPacific No.21, 1999
Commentary
20 MOBO MOGA Modernity in Japanese art 1910-1935 – Kae Shigeno
22 A SILENT REVOLUTION? Chinese women’s art in Beijing – Francesca Dal Lago
25 RUPA MALAYSIA A decade of Malaysian art in London – Laura Fan
27 A NEW MEETING PLACE IN THE PACIFIC Centre Culturel Tjibaou, Noumea – Dionissia Giakoumi
29 CREATING TOGETHER The inaugural exhibition at Centre Culturel Tjibaou – Karen Stevenson
32 FACES FROM THE PAST First Nations masks of Canada – Paula Gustafson
34 VIRTUAL DAYDREAMS Three exhibitions of Asian art in Los Angeles – M.A. Greenstein
36 POSTCARD FROM PAKISTAN – Alison Carroll
38 CROSSCURRENTS Indian, Norwegian and British artists in Oslo – Mariann Komissar
Essays
40 INTERDIGITATING REIHANAMATIONS Lisa Reihana’s video weavings – Maud Page
44 IN PRAISE OF MAD SHADOWS Tokihiro Sato’s revealing photographs – Robert J. Fouser
50 BODY AND SOUL Pinaree Sanpitak and the art of life – Dionissia Giakoumi
58 WHAT GOES AROUND COMES AROUND The art of Guan Wei – Claire Roberts
66 A SURVEY OF ASIAN COMIC ART – John A. Lent
72 CONJURING THE WORLD Ravinder Reddy’s sculptural emblems – Kamala Kapoor
Reviews
Toshio Shimizu on ‘Yoin: Reverberations between Australia and Japan’; Jonathan Goodman on Sang Nam Lee; Susan Bright on ‘Contemporary Art from China, Japan and Vietnam’; Philip O’Toole on ‘Pasifika’; Daisuke Miyatsu on Shimabuku; Scarlet Cheng on Luise Fong; Anna Miles on Ani O’Neill; Suhanya Raffeli on Nalini Malani: Medeaprojekt; Iola Lenzi on Southeast Asian Art: A New Spirit.
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